A little over two years ago, when I was putting together a post of songs sung by Rajkumari, I did some work to find a song, “Najariya ki Mari,” which was part of the background score that Naushad had put together for Pakeezah after the death of the film’s main musical director, Ghulam Mohammed. Unfortunately, since I wrote that post in May of 2009, the video was wiped out, but I have just recently found a beautiful copy of the song that Ajay posted in March 2010 as an audio clip (with just one lovely picture of Meena Kumari accompanying it):
And the other night, quite by accident, I also found a great video posted by Film Impressions in May of 2010, called “The Lost Thumris of Pakeezah.” This video features a couple of other songs by Rajkumari as well as songs sung by Vani Jairam, Begum Parveen Sultana, and Naseem Bano Chopra.
The video, as you can see, is of excellent quality, a real pleasure to look at as well as listen to. It might be a little jarring at times when the sound comes in mainly through one channel, but it seems this was done deliberately to highlight some of the music that would otherwise have been buried even more deeply in the background. And there is a lot of music buried in the background – in fact, in addition to the identified songs, there are yet more melodies “woven” in. As the Film Impressions description points out:
In some scenes, like when Sahib Jaan visits her childhood friend Bibban (Vijay Laxmi), Kamal Amrohi weaves in some brilliant thumri melodies as some kind of intricate ambient sound…some of which can be heard in the video below. Have a look, and listen hard. There are many riffs that seem to waft in from the neighboring kothas, and maybe a more enterprising viewer can help us identify every lost melody.
Below this description, there is a link to a longer article in the online Film Impressions magazine. This article contains more interesting information, such as the fact that most of these background songs simply are not available in present copies of the soundtrack:
While the song “Najariya Ke Mari” by Rajkumari still appears in recent releases of the Pakeezah soundtrack, the other compositions of Naushad can only be purchased from the HMV archives. The song “Yeh Dhuwan Sa Kahan Se Uthta Hai,” composed by Mir and sung by Naseem Bano Chopra, seems lost forever. The Mehdi Hassan version of this ghazal has, however, been used as the opening track of Sai Paranjype’s Chasm-e-Budoor. The other background numbers are “Kaun Gali Gayo Shyam” by Begum Parveen Sultana, “Maut Ki Ulfat Mein” and “Mora Saajan Sauten” by Vani Jairam, as well as a couple of tracks by Rajkumari, “Mori Baali Umariya Mein Daag” and “Ab Ki Na Jao Bides.”
And so, I feel especially lucky to have stumbled upon this video the other night, which focuses on genuinely rare songs from a truly brilliant soundtrack.
Thanks for this collection of thumris from Pakeezah, Richard!
That is a nice find! I knew the Rajkumair thumri from music india online. I don’t know if it is still there. Will have to check it up!
It is interesting to hear Vani Jairam render ‘mora sajan souten ke ghar’ flawlessly. Great find!
Will be spending some time listening to this now!
I’ll add my ‘thank you’ to harvey’s! Lovely, Richard – I didn’t know about these. The music of Pakeezah was simply out of this world, and it’s a big day for me to discover that there’s more of it out there. Thank you!
Harvey and Dustedoff, you are welcome. Thank you for the nice words, and I am glad that you are enjoying this find!
OH, Thank you Thank you, Richard.
For years I have watched Pakeezah several times just to enjoy the thumris in the background. It always leaves me a little dissatisfied. I want to listen to it not as sung softly in the background, but prominently.
And yet, the softness and the way it floats – close, and then far away, add such a brilliant touch and ambience. Quite a masterstroke.
Kaun gali gaye shyam and yeh dhuan kahan se uthata hai sound so plaintive and suit the whiole demeanour of Meena Kumari and her longing. Very heartbreaking that ‘yeh dhuan’ sung by Naseem Bano Chopra cannot be traced. Hopefully it will materialize some day.
I’m going to be listening and watching this clip for some time now :)
I love Pakeezah and the songs are so suited to its ambience. I have long loved the thumris in the background.
Thank you for posting this.
Pacifist and Ava, you are welcome, and it’s good to see that you have been appreciating these thumris for a while.
Pacifist, did you really watch Pakeezah several times just to enjoy the thumris in the background? That’s interesting… Your description is very nice too.
>Pacifist, did you really watch Pakeezah several times just to enjoy the thumris in the background?
Cross my heart, yes Richard. :-)
Of course it was to watch the film as well, which I like a lot, fast forwarding and back sometimes.
Way back in the 80s I had a cassette of Pakeeza’s songs that contained several of these thumris though not all of them. It was a favourite of mine. Unfortunately, I lost it while shifting homes. The film actually uses only snatches of the thumris. The cassette contained a more full rendition like the clip posted by Ajay. Late I bought another cassette of the film’s songs but it did not feature even one of these thumris.
Thanks Richard. I’m gald you found that little compilation we did over at Film Impressions. We’re trying to get a video compiled from Umrao Jaan next – a lot of lost thumris there as well :)
Vikram, you are welcome. And I look forward to seeing that video from Umrao Jaan, too!
Pkeezah, Umrao Jaan and Mee Mahboob are my vabourites, Pakeezah the most. Thank you very much for these wonderful videos