Well, she does for a moment in this dance anyway.  That is because it is from the point of view of the Raaj Kumar character – in the second film I’ve seen recently (the first one being Kaajal (1965)) in which he expertly plays a broke(n) drunk.  In this scene, while watching the Sayeeda character in the brothel, he briefly hallucinates the wife that he abandoned; that’s why Padmini’s face appears.  (I know I have seen that twist before, I’m just not sure where.)  Anyway, it is a very nice mujra by Sayeeda too…

P.S. Shall we talk about what happened to Sayeeda Khan, or has this blog gotten morbid enough as it is?

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