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Dances on the Footpath
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Recent Comments
- Iyesha G on Returning to the songs of Ningalenne Communistakki (but still looking for subtitles)
- Iyesha Geeth on Returning to the songs of Ningalenne Communistakki (but still looking for subtitles)
- Dean on Five Excellent Dances with Krishna Kumar
- aditya rana on The Three Mumtazes in Basant (1942)
- Richard S. on The Three Mumtazes in Basant (1942)
- Richard S. on Returning to the songs of Ningalenne Communistakki (but still looking for subtitles)
- Anu Warrier on Returning to the songs of Ningalenne Communistakki (but still looking for subtitles)
- aditya rana on The Three Mumtazes in Basant (1942)
- Richard S. on The Three Mumtazes in Basant (1942)
- aditya rana on The Three Mumtazes in Basant (1942)
- Victor on The Three Mumtazes in Basant (1942)
- Richard S. on The Three Mumtazes in Basant (1942)
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Contact:
If you would like to contact me, e-mail to chardsinger [at] yahoo.com. I also have a Facebook timeline, where I have been spending too much time. (But it is only partially like this blog in terms of subject matter.) Anyway, especially if you know me somewhat, and you are on Facebook, you might want to connect there. Send an e-mail so that we can talk more about it and maybe exchange URLs to "friend."
For me, Lal meri, any version only after any version of Nur Jehan and Nusrat Fateh Ali khan.
Yes, I’ve had a few “Lal Meri Pat” posts here already. :) Noor Jehan’s stands above all the others for me, but that should be no surprise. Also very noteworthy are versions by Runa Laila, Abida Parveen, Junoon, and probably a whole lot more that I’m just not remembering off the top of my head at the moment. :)
I am very impressed by what I’ve seen/heard of Sindhi folk, pop, and spiritual music up to this point (whether it is sung in Sindhi or Urdu)… It’s way up there on my list of regional musics of the Subcontinent. :)